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Here is a detail of a painting for the Cancer Ward 12 project

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Its been a good first week, a very busy week and one that has afforded me  a rich opportunity to reflect on my practice in a very intensive way.  It has also brought a  complete change in the way I am working. Here, I am sitting mostly alone in the dissection room poring over small scale intricate drawings, whereas over the last few months back in my studio in Cardiff I have been working on large scale drawings and oil paintings to prepare for the Breast Cancer: a creative intervention exhibition. The difference in practical terms is stark,  but the sense of immersion in the work is the same, if not intensified, here in Dundee as when I am alone I find I can enter depths of myself that general life often dictates I should bridge. Moreover, the feeling of being so welcomed within an environment where the science behind what I do as an artist is so ‘palpable’ is  exciting and inspirational. It’s also very interesting in relation to the differences between the science lab and the hospital wards and theatres that I work in.

I am teaching here too. Running the life drawing classes and joining in on the ‘crits’ with students on the MSc Forensic and Medical Art courses is a pleasure and a great experience. It is a valuable challenge to adapt my way of teaching to address what the students need most. It helps of course that they are keen and willing to learn. In the image below thats me at the back – drawing on the wall!

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I am staying in Broughty Ferry, a small coastal  town just outside the city and it has become for me  very special place. Being by the water is always very evocative for me but that’s another, longer story! For now I simply  offer the image here (taken from the window of my rented flat) of the sunset that I came home to yesterday evening.

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Galveston, oh Galveston, I am so afraid of dying
Before I dry the tears she’s crying
Before I watch your sea birds flying in the sun
At Galveston, at Galveston

Diagnosis

I have just been awarded a Visiting Scholar Residency by the good people at the University of Texas Institute for Medical Humanities. Two months, October and November, to draft a monograph that documents the Drawing Women’s Cancer project (www.drawingcancer.wordpress.com) since its inception. The good people could not know how much I appreciate their belief in me.

So, an opportunity, on the move once again, and this time toward the sun and a beach where Glen Campbell’s sea birds fly in much warmer air than their contemporaries that fly over the majestic coast of the Gower.

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