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Consider if this is a woman,
Without hair and without a name
With no more strength to remember,
Her eyes empty and her womb cold
Like a frog in winter.

This is an extract from Primo Levi’s haunting poem, Is this a man.

It’s effect on me is profound

Here is my very first attempt at modelling with wax. I have a lot of experience with clay but thought I would try a new material. I’ve found that I prefer the wax…it allows me much more detail and for the particular work I do – where I need to express as much emotion as I can in the figure – it is a much better medium. I built the skull first and then laid on the muscles and the flesh as in an ecorche. I finished the piece over three days of work. This first effort will definitely not be the last!

IMG_0774IMG_0777The piece is based on Kostoglotov, the main protagonist in Solzhenitsyn’s Cancer Ward. He and I have become close friends since I have been drawing and painting him for the Cancer Ward 12 project!

Even though the Cancer Ward 12 show is now over the project continues. I am working on a publication relating to the work done to date. This, alongside a book based on the Drawing Women’s Cancer project is keeping me busy, but I still need to draw and paint, (and now model with wax ), the emotional spaces in between scientific anatomy and existential experience to keep my creative insanity at an acceptable level!

 

So, the Cancer Ward 12 Exhibition at the Dynevor Centre Gallery is now closed but you can see it on the new exhibition page on my other project site https://cancerward12.wordpress.com

Once there just click the appropriate heading on the page menu and do scroll down as there is  lot to see!

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The exhibition might be over but the work continues. I am currently putting together a publication based on the project which will be available in e-book and print format. More on that very soon.

I hope that you enjoy the page and that it provides some feel of the physical exhibition. Please do send comments/feedback either by posting here or contact me directly: jacsaorsa@hotmail.com   All such feedback really helps in progressing and developing my work.

Here is a detail of a painting for the Cancer Ward 12 project

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Through my work I have seen and experienced much that accords with the worthy aims of medicine as a science that begins with preventing, treating and/or curing illness, and, where cure is not possible, end with facilitating what has been called ‘a good death’. I have also seen and experienced things that have given me pause and reason to question. I will continue questioning on behalf of the patient.

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Please join us for the opening of 
Contrasts: Two Interpretations of Antigua, Guatemala
a collaboration between Jac Saorsa and Luis Fernando Noriega. 

Official Opening:
Thursday 8th September 2016, 18:30- 20:30
Waterloo Tea, Wyndham Arcade

The exhibition will run from 6th September until 3rd October in our Wyndham Arcade location.
“This exhibition will fully realise the affinity between art and photography, 
where both are conceived as discrete art forms in themselves, 
yet at the same time they are interrelated processes of visual exploration.”– Jac Saorsa, 2016
 Wyndham Arcade
The Hayes
Cardiff
CF10 1FH 

Here is an early invitation to another show that I will be putting up at the Waterloo Gallery in September. This time the exhibition will be at their Wyndham Arcade venue in the centre of Cardiff, and I am excited to be working in Collaboration with Luis Fernando Noriega. Luis is a gifted fine art photographer based in Antigua Guatemala, and since my visit to the city last year we have been working together to produce something which I hope will present a rather special collaborative insight into life and culture in the city.

The good writer possesses not only his spirit but also the spirit of his friends, much like the photographer has an undeniable connection to his surroundings. For me, that perception-altering connection was made with Antigua Guatemala. A city filled with history and unique colonial architecture, Antigua offers a perfect setting to capture a compelling frame on every single one of its cobblestone streets and avenues. The contrast of the mundane wonders of everyday-life against such a unique dreamscape of a city creates the necessity to frame every shot in a way in which the foreground and the background become a single story to be told. For this exhibit I want to present Antigua in a way that no one else has seen it before. The angles and the light are crucial because Antigua has been photographed so many times and I want to take a fresh look at what my city means to me. Luis Fernando Noriega, 2016

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Having spent time in Antigua, Guatemala, I was struck by its cultural richness and by my own responses to the emotional ‘nearness’ of the suffering endured by the Mayan people throughout half a millennium. Peace Accords that finally ended the conflicts of recent history were signed in 1996 but contemporary Guatemala bears the scars of war and the wounds are deep. In my practice I often use portraiture as a conceptual framework for exploring the relationship between culture and contemporary society and this collaboration with Luis Fernando Noriega is a great opportunity to bring together our two different approaches to a subject matter that is deeply meaningful. This exhibition will fully realise the affinity between art and photography, where both are conceived as discrete art forms in themselves, yet at the same time they are interrelated processes of visual exploration. Jac Saorsa, 2016

Here is a just finished portrait. This much colour is unusual for me and I am now working on a more sombre anatomical dissection piece! More of that later.

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In support of the development of my Drawing Women’s Cancer project toward working with women who have gone or are going through the experience of breast cancer I have taken what is for me an unprecendented and indeed quite scary step! I have created a Just Giving page which can be found here.

https://crowdfunding.justgiving.com/drawingwomenscancer

You can find more details if you click on the link, and on the DWC website, but a snippet from the Just Giving page may help…

for the majority of the work I have been self-funded, and the work has taken place within the Wales area. Now I would like to expand the project to include breast cancer and take the work beyond Wales. I am totally committed to the Drawing Women’s Cancer project and from the responses and feedback I have received since the very beginning I am convinced of the necessity to continue developing the work.

Already though after only a few hours I have received some donations so I am humbly appreciative of the support out there for my work.

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Contrasts is the title of this post and there are contrasts indeed in the work I am engaged in at the moment! I am busy with different aspects of five separate projects and I am feeling very positive about how things are going with all of them. A huge amount of my time recently has been taken up with completing the second body of work for the  Drawing Out Obstetric Fistula exhibition in New York, but it is all now complete and arrangements for the show are in full swing. Just click on the  website for more details.

I am looking forward very much of course to the NY show, and also to hopefully raising some money to fund further work on the Obstetric Fistula project. I have two other exhibitions however to work towards this year and the image here  is a ‘teaser’ for one that will be launched in September in Cardiff. It will be a show in collaboration with a very gifted fine art photographer, Luis Fernando Noriega, who lives and works in Antigua, Guatemala. My oil paintings and drawings of the Mayan inhabitants of the city that I made during and after my visit there late last year, will respond to and reflect on Luis’s powerfully emotive photographs of the crumbling architecture.  https://www.facebook.com/LuisFernandoNoriegaPhotography

Entitled CONTRASTS: two interpretations of Antigua, Guatemala, the intention behind the exhibition is to present both Luis’s local view and that of a visitor to Antigua, which together, simultaneously explore several forms of parallel interrelation: that between art and photography, that between the human inhabitants of the Antigua and its historical, cultural and architectural heritage, and, perhaps most importantly, that which defines  the cultural disparity between Mayan tradition and contemporary society.  In addition to the conventional exhibition launch event we are planning to organise an evening talk where the audience can engage with the issues that the show will raise, but more details on that nearer the time.

 

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