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Consider if this is a woman,
Without hair and without a name
With no more strength to remember,
Her eyes empty and her womb cold
Like a frog in winter.

This is an extract from Primo Levi’s haunting poem, Is this a man.

It’s effect on me is profound

This is the continuing work in progress of a life-size figure that I am modelling in wax. The title of the piece, ‘without consent’, alludes to many issues around women, and women’s health, that have given me pause in the work that do.

More news is that I have just signed up to do a Postgraduate course in human anatomy with Edinburgh University! I have finally decided to take the plunge and study the subject more deeply so that I keep on developing my work and also enhance  my teaching abilities in the anatomy for artists course that I run at The Broadway Drawing School here in Cardiff.

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Here is my very first attempt at modelling with wax. I have a lot of experience with clay but thought I would try a new material. I’ve found that I prefer the wax…it allows me much more detail and for the particular work I do – where I need to express as much emotion as I can in the figure – it is a much better medium. I built the skull first and then laid on the muscles and the flesh as in an ecorche. I finished the piece over three days of work. This first effort will definitely not be the last!

IMG_0774IMG_0777The piece is based on Kostoglotov, the main protagonist in Solzhenitsyn’s Cancer Ward. He and I have become close friends since I have been drawing and painting him for the Cancer Ward 12 project!

Even though the Cancer Ward 12 show is now over the project continues. I am working on a publication relating to the work done to date. This, alongside a book based on the Drawing Women’s Cancer project is keeping me busy, but I still need to draw and paint, (and now model with wax ), the emotional spaces in between scientific anatomy and existential experience to keep my creative insanity at an acceptable level!

 

So, the Cancer Ward 12 Exhibition at the Dynevor Centre Gallery is now closed but you can see it on the new exhibition page on my other project site https://cancerward12.wordpress.com

Once there just click the appropriate heading on the page menu and do scroll down as there is  lot to see!

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The exhibition might be over but the work continues. I am currently putting together a publication based on the project which will be available in e-book and print format. More on that very soon.

I hope that you enjoy the page and that it provides some feel of the physical exhibition. Please do send comments/feedback either by posting here or contact me directly: jacsaorsa@hotmail.com   All such feedback really helps in progressing and developing my work.

Here is a detail of a painting for the Cancer Ward 12 project

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Through my work I have seen and experienced much that accords with the worthy aims of medicine as a science that begins with preventing, treating and/or curing illness, and, where cure is not possible, end with facilitating what has been called ‘a good death’. I have also seen and experienced things that have given me pause and reason to question. I will continue questioning on behalf of the patient.

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Its been a good first week, a very busy week and one that has afforded me  a rich opportunity to reflect on my practice in a very intensive way.  It has also brought a  complete change in the way I am working. Here, I am sitting mostly alone in the dissection room poring over small scale intricate drawings, whereas over the last few months back in my studio in Cardiff I have been working on large scale drawings and oil paintings to prepare for the Breast Cancer: a creative intervention exhibition. The difference in practical terms is stark,  but the sense of immersion in the work is the same, if not intensified, here in Dundee as when I am alone I find I can enter depths of myself that general life often dictates I should bridge. Moreover, the feeling of being so welcomed within an environment where the science behind what I do as an artist is so ‘palpable’ is  exciting and inspirational. It’s also very interesting in relation to the differences between the science lab and the hospital wards and theatres that I work in.

I am teaching here too. Running the life drawing classes and joining in on the ‘crits’ with students on the MSc Forensic and Medical Art courses is a pleasure and a great experience. It is a valuable challenge to adapt my way of teaching to address what the students need most. It helps of course that they are keen and willing to learn. In the image below thats me at the back – drawing on the wall!

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I am staying in Broughty Ferry, a small coastal  town just outside the city and it has become for me  very special place. Being by the water is always very evocative for me but that’s another, longer story! For now I simply  offer the image here (taken from the window of my rented flat) of the sunset that I came home to yesterday evening.

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Remnants

There’s that smell again

Familiar to me now

not the smell of Death so much as of lives once been

Remnants steeped in Thiel fluid

the smell of life deconstructed

Number [—-]

A head torn from the vertebrae

Mouth agape as if gulping a final breath

Skin flayed from the mandible

Eyeless sockets that still see me

plead to be once more hidden under the plastic shroud

Cold

I am cold

It is cold in here

The remnant of his eyebrow expresses such pathos

Defying recourse to objectivity

to cold death

My drawing begins to change

I pull back the plastic shroud even further

ignoring entreaty

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