You are currently browsing the tag archive for the ‘culture’ tag.

Here is a detail of a painting for the Cancer Ward 12 project

IMG_0611

Through my work I have seen and experienced much that accords with the worthy aims of medicine as a science that begins with preventing, treating and/or curing illness, and, where cure is not possible, end with facilitating what has been called ‘a good death’. I have also seen and experienced things that have given me pause and reason to question. I will continue questioning on behalf of the patient.

IMG_0459

Please join us for the opening of 
Contrasts: Two Interpretations of Antigua, Guatemala
a collaboration between Jac Saorsa and Luis Fernando Noriega. 

Official Opening:
Thursday 8th September 2016, 18:30- 20:30
Waterloo Tea, Wyndham Arcade

The exhibition will run from 6th September until 3rd October in our Wyndham Arcade location.
“This exhibition will fully realise the affinity between art and photography, 
where both are conceived as discrete art forms in themselves, 
yet at the same time they are interrelated processes of visual exploration.”– Jac Saorsa, 2016
 Wyndham Arcade
The Hayes
Cardiff
CF10 1FH 

images

Just got the news yesterday that I have a small amount of funding to carry out a project that is close to my heart and I have been thinking about for ages! I am of course delighted that I’ll finally be able to realise Cancer Ward 12 working at Singleton Hospital in Swansea. Work is now set to begin in November this year with an exhibition scheduled for June 2017. More details later but for now here is a brief summary of the idea.

Cancer Ward 12 draws on literature (The Cancer Ward, Aleksandr Solzhenitsyn, pub. 1967) and on life. It is a project that, as a discrete piece of research in its own right, carried out at Singleton hospital in Swansea, has enormous potential to further develop into a comparative study. There are two parts:

The first part involves my ‘immersion’ into the day-to-day life on the Oncology Ward of Singleton Hospital, which is a thirty bed, general oncology/haematology ward where patients with a variety of cancers and disease related symptoms are treated and cared for.  Working directly with consenting patients and their family members/carers, and with health professionals and hospital staff I will document what I see and experience through drawing and written narrative. I will use a ‘narrative medicine’ approach to gather individual experiences of illness, and of different forms of giving and receiving treatment.

The second part of the project will involve developing all the notes and sketches made on site as a basis for creating a substantial a body of work  for public exhibition.

Here is an early invitation to another show that I will be putting up at the Waterloo Gallery in September. This time the exhibition will be at their Wyndham Arcade venue in the centre of Cardiff, and I am excited to be working in Collaboration with Luis Fernando Noriega. Luis is a gifted fine art photographer based in Antigua Guatemala, and since my visit to the city last year we have been working together to produce something which I hope will present a rather special collaborative insight into life and culture in the city.

The good writer possesses not only his spirit but also the spirit of his friends, much like the photographer has an undeniable connection to his surroundings. For me, that perception-altering connection was made with Antigua Guatemala. A city filled with history and unique colonial architecture, Antigua offers a perfect setting to capture a compelling frame on every single one of its cobblestone streets and avenues. The contrast of the mundane wonders of everyday-life against such a unique dreamscape of a city creates the necessity to frame every shot in a way in which the foreground and the background become a single story to be told. For this exhibit I want to present Antigua in a way that no one else has seen it before. The angles and the light are crucial because Antigua has been photographed so many times and I want to take a fresh look at what my city means to me. Luis Fernando Noriega, 2016

Page1

Having spent time in Antigua, Guatemala, I was struck by its cultural richness and by my own responses to the emotional ‘nearness’ of the suffering endured by the Mayan people throughout half a millennium. Peace Accords that finally ended the conflicts of recent history were signed in 1996 but contemporary Guatemala bears the scars of war and the wounds are deep. In my practice I often use portraiture as a conceptual framework for exploring the relationship between culture and contemporary society and this collaboration with Luis Fernando Noriega is a great opportunity to bring together our two different approaches to a subject matter that is deeply meaningful. This exhibition will fully realise the affinity between art and photography, where both are conceived as discrete art forms in themselves, yet at the same time they are interrelated processes of visual exploration. Jac Saorsa, 2016

IMG_0791

Contrasts is the title of this post and there are contrasts indeed in the work I am engaged in at the moment! I am busy with different aspects of five separate projects and I am feeling very positive about how things are going with all of them. A huge amount of my time recently has been taken up with completing the second body of work for the  Drawing Out Obstetric Fistula exhibition in New York, but it is all now complete and arrangements for the show are in full swing. Just click on the  website for more details.

I am looking forward very much of course to the NY show, and also to hopefully raising some money to fund further work on the Obstetric Fistula project. I have two other exhibitions however to work towards this year and the image here  is a ‘teaser’ for one that will be launched in September in Cardiff. It will be a show in collaboration with a very gifted fine art photographer, Luis Fernando Noriega, who lives and works in Antigua, Guatemala. My oil paintings and drawings of the Mayan inhabitants of the city that I made during and after my visit there late last year, will respond to and reflect on Luis’s powerfully emotive photographs of the crumbling architecture.  https://www.facebook.com/LuisFernandoNoriegaPhotography

Entitled CONTRASTS: two interpretations of Antigua, Guatemala, the intention behind the exhibition is to present both Luis’s local view and that of a visitor to Antigua, which together, simultaneously explore several forms of parallel interrelation: that between art and photography, that between the human inhabitants of the Antigua and its historical, cultural and architectural heritage, and, perhaps most importantly, that which defines  the cultural disparity between Mayan tradition and contemporary society.  In addition to the conventional exhibition launch event we are planning to organise an evening talk where the audience can engage with the issues that the show will raise, but more details on that nearer the time.

 

Page1we are launching the Drawing Out Obstetric Fistula project in Cardiff with an exhibition of new work throughout August this year. I hope that those of you who are in the area might get a chance to see it while it is up. On AUGUST 19th, 6.30pm – 8.30pm, myself and Alison Fiander, surgeon and Clinical Lead for the Royal College of Obstetricians and Gynaecologists Leading Safe Choices Programme, will be at the Waterloo Gardens Teahouse to give a talk and discuss the ongoing development of the project. All are welcome and refreshments will be available.

Here is a small oil piece (approx.15x10cm) that I have been working on as part of the Drawing Out Obstetric Fistula project. It will form part of an exhibition in Cardiff in August this year…more details to come.

DOF

My son lives in Glasgow. His English history has long since been transplanted into Scottish soil and he has set down roots that are strong and spreading. The lilting quality of his acquired accent betrays his allegiances, and he is the reason that the piece of my heart still left in Glasgow still thrives. My son is Finn Le Marinel; musician, songwriter, poet… a tall thin man. He sings about pain and about possibility. His lyrics draw on the raw emotion that resides in the wreckage of broken relationships, and as he sifts through the detritus of these things he raps and taps the belly of his guitar to create percussive undertones that must both haunt and herald a sense of hope.

My son sifts through the archives of my work to find pieces that he can relate to and use on his album and EP covers. We travel an emotional road together. Last night he launched a new EP, Love is Waves at The Centre for Contemporary Art in Glasgow. The event was sold out. Here are the images that this time. for the first time, I made specifically for each of the four tracks.

DSCN0482

DSCN0480

DSCN0479

DSCN0481

I have been working steadily since beginning my three-month visit as a visiting researcher at Glasgow University. I am now a little over half way through my time here and I have been reading so much about life lived by William Hunter and his peers in London in the 1700’s that I feel as if I almost live there myself! So much so that it is a jolt to the system to step out at the end of the day from the library or from my borrowed office into the 21st Century milieu of Glasgow’s West End.

I have also been drawing however, from the anatomical specimens in the anatomy museum and also from the original Rymsdyk drawings themselves in the University Library Special Collections department. My aim with the latter is not to make slavish copies, but rather to use my own form of mark making and technique to respond to the work I have before me. The images below are drawings that are still ‘in process’. The adherence to the original is still a major factor in them but I feel that this is bound to change as work progresses. In the first piece I am using a ballpoint pen – an instrument that I believe was not invented until the late 19th century – and I wondered as I worked on this drawing (after Table Vi of The Gravid Uterus) what Rymsdyk himself would have had to say about it. Seems he was never too backward at coming forward with his opinions, as evidenced in the little disguised rant that accompanies his and his son’s beautiful drawings in his Museum Brittanicum, Being an Exhibition of a great Variety of Antiquities and Natural Curiosities belonging to the Noble and Magnificent cabinet, the British Museum, illustrated with Curious Prints, published in 1778.

My eventual aim is to use these drawings as a basis for an exhibition which will focus on the study of anatomy and way is it conceived and exploited.

IMG_0295

IMG_0299

IMG_0293

%d bloggers like this: