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I’m delighted to have an illustrated article, Jac Saorsa: artist in medicine just published (October 4th) by Taylor & Francis in the  Journal of Visual Communication in Medicine, online. The article will also be published in print form in the latest issue of the journal. Here is the link to find it online….

http://www.tandfonline.com/eprint/TmIs7YA2CdNkWbIfTUJ5/full

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Here is the first post on a new blog that I have started today. the bog is entitled The Loneliness of a Long Distance Anatomy Student and you can find it here: The Loneliness of the Long Distance Anatomy Student

As always, all comments/feedback for any of my posts are very welcome!

Today I am beginning a PG Anatomical Sciences Online Distance Learning program with the University of Edinburgh. I have decided to launch myself into this because, although as a classically trained artist I have a grounding in superficial musculo-skeletal anatomy, this is not enough for me! I want to go further, deeper, and bury my subjective, qualitative and humanist mind into the fertile soil of the objective, quantitative and scientific field to find out what will grow from such a symbiosis. The seed has already been sown by my explorations into anatomical details in dissection labs both here and in the USA, and through my teaching anatomical form and function to other artists who  hunger to understand what lies beneath the surface. But now,  ‘subcutaneous’ knowledge must give way to a more thorough comprehension and for that I need what can often be an anathema to an artist…I need structure and discipline!

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This blog then will become a repository for my thoughts and for my feelings, for my frustrations (which I am sure will become close companions) and my joys (of which I  hope there will be some!) throughout the process. I hope that the posts I will offer here will be of interest to artists and to scientists alike because ultimately I am convinced that both need each other just as flesh needs bone.

I am quietly excited.

Here is an open invitation to all to a new exhibition at The Broadway Drawing School Gallery.

‘A Long Table of Curiosities’ showcases recent anatomical works, mostly life size, that pay due respect to the skill and craft element of historical wax modelling but which are completely contemporary in the way they are presented. The sculptures will constitute a new body of work, derived from drawings and studies that I have been working on in various medical museums, dissecting labs and mortuaries over recent years. Far from being gruesome or morbid, I hope these sculptures will demonstrate how a symbiotic relation between artistic expression and scientific knowledge has the potential to evoke a profound emotional response, whilst posing the question of how we, as human beings, can be at the same time so very different and yet so very much the same.

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 ‘A Long Table of Curiosities’ is kindly sponsored by Made in Roath 2017, which is a week long arts festival in the Roath area of Cardiff. The exhibition will run throughout the Festival week 16th – 22nd October, 10-4pm each day.

The Broadway Drawing School is also part of MiR OPEN STUDIOS WEEKEND 21-21 Oct. 10-4pm. 

Consider if this is a woman,
Without hair and without a name
With no more strength to remember,
Her eyes empty and her womb cold
Like a frog in winter.

This is an extract from Primo Levi’s haunting poem, If this is a man.

It’s effect on me is profound

This is the continuing work in progress of a life-size figure that I am modelling in wax. The title of the piece, ‘without consent’, alludes to many issues around women, and women’s health, that have given me pause in the work that do.

More news is that I have just signed up to do a Postgraduate course in human anatomy with Edinburgh University! I have finally decided to take the plunge and study the subject more deeply so that I keep on developing my work and also enhance  my teaching abilities in the anatomy for artists course that I run at The Broadway Drawing School here in Cardiff.

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Here is my very first attempt at modelling with wax. I have a lot of experience with clay but thought I would try a new material. I’ve found that I prefer the wax…it allows me much more detail and for the particular work I do – where I need to express as much emotion as I can in the figure – it is a much better medium. I built the skull first and then laid on the muscles and the flesh as in an ecorche. I finished the piece over three days of work. This first effort will definitely not be the last!

IMG_0774IMG_0777The piece is based on Kostoglotov, the main protagonist in Solzhenitsyn’s Cancer Ward. He and I have become close friends since I have been drawing and painting him for the Cancer Ward 12 project!

Even though the Cancer Ward 12 show is now over the project continues. I am working on a publication relating to the work done to date. This, alongside a book based on the Drawing Women’s Cancer project is keeping me busy, but I still need to draw and paint, (and now model with wax ), the emotional spaces in between scientific anatomy and existential experience to keep my creative insanity at an acceptable level!

 

So, the Cancer Ward 12 Exhibition at the Dynevor Centre Gallery is now closed but you can see it on the new exhibition page on my other project site https://cancerward12.wordpress.com

Once there just click the appropriate heading on the page menu and do scroll down as there is  lot to see!

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The exhibition might be over but the work continues. I am currently putting together a publication based on the project which will be available in e-book and print format. More on that very soon.

I hope that you enjoy the page and that it provides some feel of the physical exhibition. Please do send comments/feedback either by posting here or contact me directly: jacsaorsa@hotmail.com   All such feedback really helps in progressing and developing my work.

Here is a detail of a painting for the Cancer Ward 12 project

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Through my work I have seen and experienced much that accords with the worthy aims of medicine as a science that begins with preventing, treating and/or curing illness, and, where cure is not possible, end with facilitating what has been called ‘a good death’. I have also seen and experienced things that have given me pause and reason to question. I will continue questioning on behalf of the patient.

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