The daffodils are in bloom and the doors of The Broadway Drawing School are now painted daffodil yellow in empathic enthusiasm. The sun is still cold on my back (the short but chill month of my birth still shadows me, even as March marches in) but my suffering soul that at the end of last year almost froze in the icy grip of disappointment, now feels warmer and more recognisable as my own than for a while. Drawings that I had some affiliation to – a guiding hand in – and which covered studio walls in an institution where I once believed I had a future have now come to represent, in my memory, the beginnings of an alternative future; a future that even though poorer, is yet richer way beyond the confines of a bank balance. And I continue to guide…. My hand and my eye follow the creative gesture and the gaze of others who share and believe in the same things that I do….and I feel a debt of gratitude.
I was thinking about yellow; about essences; about portraiture; about this drawing of my son; and I found these words:
“It is a mark of contemporary life that personal identities have become fractured, complex, and splintered, and that they are in a state of constant re-definition. Similarly, contemporary art has also become more heterogeneous and discrete as ‘major themes’ in art are less evident. As a result, two of the most basic questions, ‘Who are we?’ and ‘What is art?’ share the same concern: they both struggle with the challenges of subjectivity”
Steven Holmes, Curator, Subject: Contemporary Portraiture May 14–Aug.14, 2006, Llyman Allyn Art Museum