Its the final few hours for donating to my Just Giving page for the Drawing Women’s Cancer project. I want to express my heartfelt appreciation for all those who have been so generous and made it possible for me to continue the project and take it to different parts of the country. Watch this space for more news as the preparations for the exhibition continue.

There are just 8 days left to donate on my  Just Giving page and to push forward the Drawing Women’s Cancer project. Thanks to your support to date I am traveling to Coventry, Kettering, Durham and Liverpool to work with women who have responded to my call for those who have experienced or are experiencing breast cancer.

The majority of my work on this project is done on a self-funding basis so your generosity and goodwill is of enormous help to me with my travel costs to visit more women, and to develop artwork based on their experiences for the show in the Hearth Gallery in Cardiff in November 2016.

Thank you!

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Its been an inspiring day! I have been drawing in the operating theatre at Papworth Hospital in Cambridgeshire, working alongside leading cardiothoracic surgeon Mr Francis (Frank) Wells. Here are some of the drawings I made during the two hour long open heart surgery procedure on a middle age woman.

I was fascinated, as always, to watch a surgeon at work, and to experience what I can only describe as the ‘undulating’ dynamics of the operating theatre as everybody present played their individual part in making sure the whole thing went as planned. The intensity of the procedure rose and fell – but gently, without obvious drama – from the initial ‘opening of the chest’ to the final closure.  The ‘craftsmanship’ involved, and the dedication to the task at hand was orchestrated throughout – or perhaps choreographed might be a better description – by the needs of the patient who lay, oblivious to the fact that her heart was for a time no longer beating naturally.

Each time I attend a surgical procedure I  deepen my understanding of why I do what I do and how much I enjoy doing it! The artist and the surgeon have much in common perhaps.

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Here is a just finished portrait. This much colour is unusual for me and I am now working on a more sombre anatomical dissection piece! More of that later.

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Thanks to your donations on my  Just Giving page I am now traveling to Three different cities to work with women who have responded to my call for those who have experienced or are experiencing breast cancer to talk with me. The project is part of the development of the Drawing Women’s Cancer project

There are 23 days left to donate. Your generosity enables me to push Drawing Women’s cancer forward. Thank you!

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In support of the development of my Drawing Women’s Cancer project toward working with women who have gone or are going through the experience of breast cancer I have taken what is for me an unprecendented and indeed quite scary step! I have created a Just Giving page which can be found here.

https://crowdfunding.justgiving.com/drawingwomenscancer

You can find more details if you click on the link, and on the DWC website, but a snippet from the Just Giving page may help…

for the majority of the work I have been self-funded, and the work has taken place within the Wales area. Now I would like to expand the project to include breast cancer and take the work beyond Wales. I am totally committed to the Drawing Women’s Cancer project and from the responses and feedback I have received since the very beginning I am convinced of the necessity to continue developing the work.

Already though after only a few hours I have received some donations so I am humbly appreciative of the support out there for my work.

I am in Glasgow once again. I am working on a book that I am writing in collaboration with one of the strongest women I have ever met. She is one of the women I worked with during the early days of Drawing Women’s Cancer and I will post more about our project together on that project site as we progress.

In the meantime, while in Glasgow, my sense of family becomes very real and almost tangible to me. It is a place we call home, me, my man, and our two children – now grown into beautiful and inspiring adults. Glasgow is a city that we call home,  not through heritage but by adoption, and I still can see and feel my children with me as I walk familiar pavements. My daughter now dives in crystal waters where there is still space for her to to find what she has long been looking for. It could be on one side of the world or the other but for now she favours the  sun in Latin America, while in the ‘mutual’ middle of our worlds, in Glasgow, I can spend a little time with her brother, my son, Finn Le Marinel, still here in the rain. He is a fine musician. He peers, as I do, deep into the soul, but what he sees is expressed through what others must hear, rather than see. Nevertheless he borrows my work for the covers of his albums, but I suspect that he would not wish to use the image here. It is an older piece made around 2103, maybe 2012; memory is defeated by the unimportant. What is important is that it is a piece which, in Finn’s absence, I ‘borrowed’ from him…and altered. I may have shown it before here – it was certainly shown in Illness begins with ‘I’ – but today it takes on new significance.

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Contrasts is the title of this post and there are contrasts indeed in the work I am engaged in at the moment! I am busy with different aspects of five separate projects and I am feeling very positive about how things are going with all of them. A huge amount of my time recently has been taken up with completing the second body of work for the  Drawing Out Obstetric Fistula exhibition in New York, but it is all now complete and arrangements for the show are in full swing. Just click on the  website for more details.

I am looking forward very much of course to the NY show, and also to hopefully raising some money to fund further work on the Obstetric Fistula project. I have two other exhibitions however to work towards this year and the image here  is a ‘teaser’ for one that will be launched in September in Cardiff. It will be a show in collaboration with a very gifted fine art photographer, Luis Fernando Noriega, who lives and works in Antigua, Guatemala. My oil paintings and drawings of the Mayan inhabitants of the city that I made during and after my visit there late last year, will respond to and reflect on Luis’s powerfully emotive photographs of the crumbling architecture.  https://www.facebook.com/LuisFernandoNoriegaPhotography

Entitled CONTRASTS: two interpretations of Antigua, Guatemala, the intention behind the exhibition is to present both Luis’s local view and that of a visitor to Antigua, which together, simultaneously explore several forms of parallel interrelation: that between art and photography, that between the human inhabitants of the Antigua and its historical, cultural and architectural heritage, and, perhaps most importantly, that which defines  the cultural disparity between Mayan tradition and contemporary society.  In addition to the conventional exhibition launch event we are planning to organise an evening talk where the audience can engage with the issues that the show will raise, but more details on that nearer the time.

 

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It has been a difficult few months. Illness and surgery have taken their toll and colours have darkened around me. Things are moving on however both in health and in practice and portraiture has been a significant part of the latter recently (see previous post). This self portrait has been through many incarnations over the months, dependent on – and at the same time being precipitative of – my state of mind. This latest version suffers in itself for the constant reworking and hides much beneath the thickness on the paint… pentimento – ghosts of myself lie uneasy underneath what I think is a finished state but, reflecting life – and death, I may yet rework the painting until it is finished only through its destruction.

 

My new project focusing on art and oncology has begun. You can find details here: https://doctorpatientdoctor.wordpress.com/

As always your comments and feedback on the work is much appreciated.

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